WJ44-01$7.00
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At first glance, it is the old
"Break-Away" Wand, but with a couple of new
features added because you build it yourself. Unlike the
original, when it flops it does not appear to be made in
sections. When it is rigid, it can be handed to a
spectator without flopping or adding an extra piece. It
can also be built as a color changing wand, changing from
black to red or any color you choose.
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WJ44-02
$7.00
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Effect: The magician shows the audience
his Portable Rabbit Hole which is a square
plaque with a large black circle on it and a white arrow
in the center. It can be shown on all sides. It is placed
on top of some panels with bars, also shown on all sides
before forming a cage. Suddenly a bunny (live or puppet)
pops up out of the portable hole on top of the cage. From
there you can lift the bunny out and begin your funny
bunny business until it is time for the bunny to take his
or her nap. The magician opens up the portable hole and
the bunny is pushed down inside. It just seems to vanish!
The whole cage is taken apart and shown to be as empty as
it was in the beginning.
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WJ44-03$7.00
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Starting with Harry Anderson's reasoning for NOT
doing thumb ties with string or pipe cleaners, etc., or
for using thumb cuffs, Jim takes Harry's solution and
expands it into an escape extravaganza complete with ball
and chains, full body cuffs, and challenges with members
of the audience participating. And while it will keep
your arms and legs in chains and cuffs, it won't cost you
an arm and a leg to build up an hysterically funny escape
routine with these easily available props.
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WJ44-04
$7.00
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You can have any number of cards, Tarot or regular
playing cards freely chosen. In fact, any flat object
that will fit inside an envelope can be used, including
dollar bills, business cards, greeting cards, photographs
of any subject, and so on. You have a spectator select
one of the flat objects described above. He then selects
one envelope from a stack of envelopes you have shuffled
and mixed up. He places the flat object he has chosen
inside the envelope, and then fills up any number of
other envelopes with the flat objects he did NOT choose.
He mixes up the envelopes until he himself doesnt
know which envelope contains his chosen flat object. One
by one he hands the envelopes to you and you place three
of them down on the table or on a music stand. He points
to any two of the envelopes, and finally points to one
envelope. When he opens the last envelope chosen, it
contains the flat object he originally chose and hid from
sight.
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